Napalm TeeVee: Cheap Trick on Don Kirshner’s Rock Concert, 1977
Presenting vintage video voltage from the pride of Rockford, Illinois. Plus a plea for the continued survival of The ‘Stack
Cheap Trick, 1977: “So, Bun? You say looking like a slumming accountant sitting in on drums after three martinis is totally rock ‘n’ roll?!” (photographer unknown)
Howdy, ‘Stackateers! How’s your week going, so far? Are you having as much trouble as I am dating everything “2024”?
First and foremost, a massive thanks to all and sundry for the positive response to the first installment of my novel-in-progress, Every Father Kills His Son. Judging by the ton of positive comments and the numbers on my Substack dashboard, it’s a hit! Much obliged. I think I will also move to self-publish it, once it’s finished. Let me know if y’all think this is the best idea. You are, after all, my patrons here.
I’m gonna let you in on something: My major New Year’s Resolution is to post here daily. That’s right — a fresh edition of The Tim “Napalm” Stegall Substack in your mailbox or up at the site, five days per week! Which means some days, we won’t feature the writing which I know is the main attraction here.
I mean, what if I want to show you this groovy Cheap Trick clip I just found on YouTube? Would that be problematic for ya?
Cheap Trick's been a sonic syringe stuck in my vein since day one. While the Ramones were busy sniffin’ those Carbona (not glue) shots and The Clash were violently offended by Thatcher's dandruff or something, I was daydreaming about owning enough silly guitars to blind Leo Fender and bouncing around in sweaters so loud they could be heard in Kansas. Or by Kansas. God, I hate that “Dust In The Wind” band….
I craved a Gibson Les Paul the color of a melted popsicle, a Telecaster strung with barbed wire, a polka-dotted Flying V that screamed like a banshee on tequila. And the sweaters? Forget insane. I'm talkin' acid-trip technicolor cardigans that’d make Liberace jealous.
See, I’ve always had this split personality. Half wants to pogo with safety pins through my nose, the other half craves enough spandex to make Spandex jealous. Cheap Trick was the sonic equivalent of a tailor-made, sequined straightjacket for both halves, letting me be a spastic monkey with a power chord soundtrack. Of course, reality was a pair of hand-me-downs and a busted amp. But hey, dreams are free, and mine were fueled by overdriven Marshalls and enough caffeine to power a rocket to Mars.
“Surrender” was a goddamned epiphany, “I Want You To Want Me” the cure for my summertime blues in 1979. Cheap Trick At Budokan was the Rosetta Stone for those wanting to play rock ‘n’ roll that sounded like early Beatles played through the world’s biggest MXR Distortion+ pedal. I saw two bands in ‘79. The first was Cheap Trick at Corpus Christi’s Memorial Coliseum. The other was The Clash at the Armadillo. Both changed my life forever, in ways that are not unrelated.
So yeah, Cheap Trick's my lifeblood, as much as The Clash or the New York Dolls. And if you can't handle a snot-nosed punk rocker with a transistor radio spitting out Rick Nielsen's guitar solos like sonic hydrogen handgrenades? Well, maybe you need to turn down the volume on life itself.
Presenting the Trick filmed Nov. 10, 1977 in Los Angeles, for Don Kirshner’s Rock Concert. If you don’t remember this televisual rival to The Midnight Special, it was a live rock show hosted by the guy who rode herd over the Brill Building songwriters, attempted to make performing monkeys outta The Monkees, then moved onto The Archies because they wouldn’t talk back like those pesky Monkees. Possessing all the charisma of a wet sock, Kirshner always presented all these musical acts of the day with all the enthusiasm of the freshly embalmed.
This particular evening, Kirshner could not dim the blazing energy of the pride of Rockford, Illinois. This is vintage pre-Budokan Cheap Trick, raw as a Sheboygan bowling alley brawl and loud enough to wake the dead in Graceland Cemetery. They were freshly out of the studio, cutting In Color with Tom Werman, preceded by a series of dates at the Whisky A Go Go recently compiled for the stupendous 2020 Out To Get You! (Live 1977) Record Store Day release.
Watch Nielsen bouncing around like Huntz Hall on meth in front of his old ripped-grill-cloth Sound City speakers, his guitar screaming like a factory whistle stuck on overdrive! Dig Bun E. Carlos chain smoking an entire tobacco plantation behind those Ludwigs, Tom Petersson pounding the 8-string bass Hamer gave him as a consolation prize before they grew enough guts to build the 12-string bass he asked for, and Robin Zander being Robin Zander – such a perfect rock ‘n’ roll frontman, he almost seems like a parody of one. Or a cartoon version of one, at least, when Nielsen and Carlos are the actual animated cartoon musicians in the band. Although that’s to their credit, as well. Except no one in Cheap Trick are cartoons, they're real-life rock 'n' roll superheroes, drawn with sweat, adrenaline, and enough powerchords to make the Hamer workshop explode.
And that’s enough blabbing from me – presenting Cheap Trick live on Don Kirshner’s Reanimation Station in 1977! See you after the break.
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